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In The Flesh
Tour Reviews


From the St. Louis Missouri Show


by Dave Moore, August 28
Roger Water's was 'In the Flesh' on August 27th at the Riverport Ampitheatre here in St. Louis, and he didn't disappoint. Everything from the setlist, to the band, to Roger's vocals was excellent, exceeding any expectations I had.

I won't run through every song, but a thought did occur to me. I wonder if Roger intentionally opened with 'In the Flesh' so he could poke at the rest of Floyd a bit with the line "Pink isn't well, he stayed back at the hotel, but they sent us along as a surrogate band." Just something to think about. Other highlights included a quasi-tribute to Syd Barrett, when his mug appeared on a screen during 'Wish You Were Here' and 'Shine on You Crazy Diamond,' and the crowd singing with all it had during 'Perfect Sense.' All the songs, from 'Powers That Be, What God Wants, Happiest Days of Our Lives, and the Dark Side' cuts were played faithfully and flawlessly. The encore of 'Comfortably Numb' brought the evening to a successful close. The only thing missing was perhaps 'One of These Days,' or maybe 'Take Up Thy Stethoscope and Walk.' Now wouldn't that have been interesting.

I have to say that there is no comparison between this show and Floyd's last tour. Roger seemed more into it, and instead of standing around, he got around and really connected with a audience, going so far as to accept a rose from a member of the crowd. If his goal was to recapture the feeling of the Floyd's early days, he passed with flying colors.


by James Wallace

Well, after a summer of figuring out how I was going to get halfway across the country for one of Roger's shows, I was pretty wiped out when I found out he was going to be playing in St.Louis! The beauty of it is that if he makes good on his promises, and does a West Coast tour, he'll be in St.Louis again, and maybe with a new album! But I digress...on with the review...

Having read about the pandemonium in Chicago, I got my tickets the morning they went on sale. Apparentlly this wasn't really needed, because the show only came very close to selling out. Every day I had to look at the tickets, and say, "Wow, I'm X days away from actually seeing Roger Waters." I couldn't really believe it, because I had become convinced that Floyd would never tour again, and I'd never get the chance to hear my favorite songs live.
Anyway, the day of the show found myself, my two best friends and my brother fighting our way through I-70 traffic to get into Riverport Ampitheater by 8pm. A quick word on that: Riverport is my absolute least favorite place in the world to see live music. It's completely corporate (up to and including corporate sponsers; apparently Roger was sponsered by Budweiser. I'm sure he wasn't increadibly pleased to hear about that one) and has no sense of a "venue" of old. Also, the setup allows very little stage setup, and whatever setup one manages is cheapened by the awning. However, I managed to set all my grudges aside, and just enjoy the show. Of course, they wouldn't let it go at that, but that comes a little later in our tale.
We managed to get there with 5 minutes to spare, stake out our place on the lawn, and get settled in just in time for the opening bars of In the Flesh. I was blown away; it actually sounded like Floyd! We all agreed that Roger's voice hadn't deteriorated nearly as much as we thought it would. We had all pretty much expected him to speak most of his lines, and leave the singing up to the fly girls, but that wasn't the case at all. I could write a book about my favorite parts of the show, but for the purpose of this review, I'll sum it up in a best of/ worst of format. First, the best parts:

Now, on to the "bad" parts of the show Those things aside, this was the greatest concert experience of my life, and something I'll remember until the day I die. I went with a bunch of Waters naysayers, but even they had to admit he hadn't lost his touch. I just can't wait until I get the chance to see him again. He was, and remains, one of my heroes, who I will never exchange for the "ghosts" currently parading as Pink Floyd.


by Evan Starkman

Well Ladies and Gents, I just returned from (bluntly) the most orgasmic and emotionally fullfillingencounter of my 18 year long inhabitance on earth. I am referring to the Roger Waters concert at the splendidlycozy Riverport Ampitheater in good ol' St. "Louey"! On the way over in my Camry V6 LE (I was not in the company of friends or family; this was to be my reckoning with the most unflappable rock icon of the millenium, and my reckoning alone , so t'was!) Jimi Hendrix (who is dead) blasted his outlandish cries of love over my CD player: "So, uh, are you experienced,Evan?" Smiling at his valid question with a wide, toothy grin, I replied, "No Jimi, but after tonight, I reckon I will be!"
I arrived at the venue about one half hour before the show began.I parked, and began to travel via foot to the concert, humming Moby Dick (via Led Zeppelin) between breaths. Suddenly, bloody shrieks of murder issued forth through the cool air, piercing my brittle spine like a hot knife through a stick of butter (or margerine, pick your poison, heheh, lol). My spidey sense tingling, I whirled around not unlike a vengeful tornado to see what all the commotion was about. Hello, what was this?A tiny, white bunny lay crippled on the unforgiving ground. "Who'sresponsible for this?!" I demandingly inquired. It met my gaze withitsown pathetic one, its grey pleading eyeswailing with the utmost sound and furry (no pun intended, tee hee hee!) into mine, "Blech, aaack, help meeeee..."Turning away from the woodland creature's hypnotic stare,I weighed mybrief list of options. The bunny obviously needed medical aid, but the friggin concert was about to start! Perhaps somebody else would come along and assist the broken rabbit. At that moment David Gilmour's failing voice tore through my brain, "No more turning away, from the pale and downtrodden..." Well, that made sense enough, but-- but this was a Roger Waters concert, damn it! But what if the rabbit's dead body was discovered later? What would the authorities think?? Surely they would have questions- "Was foul play involved?"-and surely their blasted questions would be directed at me, the prime f***ing suspect of the damned case... good grief.
Desperate situations call for desperate measures.Hurriedly, I tossed theinfernal bunny in the glove compartment of my car, where I assumed it would stay warm and dry. As I slammed shut the compartment, Icaught a fleeting glimpse out of the corner of my eye of the dying creature wink at me, it's eyes now smiling-- the wretchedhare knew that it had made me late! Haulingbutt into theampitheater, I was furious to discover that Roger and the band had already launched half way into Dogs. Finding my seat in the fifth row center (an exercise in aggrivation due to the darkness), I took a load off and was transported to a visual and audio induced utopia. The band was tight and Roger remained in perfect form as the concert progressed. My favorite tune of thenight was, uh, Comfortably Numb, yeah, with the dueling guitars and all. Although I was held hostagebymany a spellbinding, captivating song and sight on this frosty eve, the biggest(literally) highlight of the show for me occurred during intermission. Proceeding to therefreshmentstand to pick up a nice, tallcup of soda pop, Ibrainlessly and blunderingly walking straight into a massive, blubbery wall offlesh. Dazed, I looked up and who did I see but the five time all-star future hall-of-famer power forward of the NBA's Cleveland Cavaliers, Shawn Kemp! I was about to scream with delight when "The Reignman" garnered up a wad of black bellylard in his meaty paw and crammed it in my mouth. Looking down at me from the heavens with the "all-too-knowing"smirk of a veteran he quietly said, "Now you listen here youngin. I don't know yous, but I knows that you knows me, and one thing I tells you, brotha is thatwe gotta be free.You jiggy with that, mistuh?"Beaming with pure adulation at the sight of this high-flying terror, Iattempted to smile (try doing that a pound of corrosive fat down in your mouth!) and instead just nodded. "Goo, then we be headed our own ways now; jus' try and tell me diff'rent," he boomed, the smirk still imbedded on his oily face. Again, I nodded, this time out of desperation; the fat had begun to cut off my air supply. Sure, enough though, Kemp sucked his belly back in and stomped away, making a "b-line" for thefood stands. Having had chewed the fat with "The Reignman" however, my apetite had been satiated and then some!>
Overall, I would give the concert an 11 on a scale of 1-10. Thank you Shawn Kemp! Er, no, I mean thank you Roger Waters!



by John Bechtel - Pacific, MO

In some musical circles it is said that "progressive" rock was born, flourished, and died, in the 1970's. Its death the result of having become fatally overweight. Pink Floyd represented this best, its decade finale performances of "The Wall" in 1979 and 1980 were so big that they played only in New York and Los Angeles (in the US). For a while it seemed that maybe Roger Waters hadn't heard that giant balloons of pigs and schoolteachers weren't what concert goers may want: His "Berlin Performance of "The Wall" was astronomically huge, and not well received (critically, anyway).

Maybe Waters has learned something. Relying on crack musicianship and a (by Floyd standards) barren stage show, Waters gave a crowd pleasing performance at Riverport on Friday night. His song selection, concentration on the music, attention to the crowd (in a most un-Waters way), and the aforementioned musicianship, all produced a truly memorable experience for both the casual Floyd listener and the hardcore Waters fans.

Waters opened, appropriately enough, with "In the Flesh", the opening track from "The Wall" (actually, he played the reprise, from side 4, but it conveyed the same sense of birth). After moving through more of side one, finishing with "Mother", Waters played what fans had never heard live before; music from the "Final Cut". Though it was a medley, consisting of parts of "Get Your Filth Hands Off My Desert" and "Southampton Dock", it represented a historical first. This fact was apparently lost on a segment of the crowd that took the opportunity to get more beer, piss, or chat loudly about other things. It was sad that the crowd was so rude during such a significant piece. (it might also be said at this juncture that the crowd was quite talkative throughout the show).

The rest of the first set saw Waters take a step aside as the band showed off its prowess. "Dogs" and "Shine On You Crazy Diamond" allowed the crowd to become acquainted with guitarist extraordinaire Andy Fairweather-Low, as well as seeing former Floyd collaborator Snowy White's ability to translate Floyd material as the second lead.

The second set concentrated predominately on Waters' solo material. A beautiful rendition of "Every Strangers Eyes" was followed by a up-tempo version of "The Powers That Be" (the only song of the night that strayed from the studio cut).

The audience, perhaps from its lack of familiarity with the solo material, seemed unenthused at this point. It was, again, the musicians that really got to the crowd here. During "Perfect Sense", one of four songs from "Amused to Death" they played, singer P.P.Arnold revised her solo from the album in stunning fashion.

The set closed with a stirring rendition of "Brain Damage/Eclipse", then the band encored with "Comfortably Numb". During "Comfortably Numb" Waters again seemed almost forgotten about while the two lead Guitarists sizzle, trading licks above the stage.

While Floyd purists may argue with Waters aficionados about whether Waters should have concentrated on his solo work versus playing "Money" or "Another Brick In The Wall pt. II", and some may not have liked the showmanship of Andy Fairweather-Low, there can be no doubt that Waters has discovered the fans again. His aloof, almost arrogant attitude towards audiences is gone. He has warmed to the idea that he is a rock star, for good or ill. And because of this "new found faith", progressive rock has, at least momentarily, given birth to a smile.


by Anita Denise Dykstra

I was hoping to read other reviews of the St. Louis show, by people more qualified than me to tell about it! Where are the St. Louis fans??? This is my first time at this & I don't even have a set list, but will give it a try anyway.

The show was Friday night, August 27, 1999, at Riverport in St. Louis. I didn't get my ticket until the day of the concert, so I really lucked out! I waited to see who may want to go, but in the end, I went alone. Their loss!!! I was shocked that I could still get a decent seat at that late hour! When I called I was told the best available seat was in row FF, but by the time I worked half a day, went home for a while & got to Quincy to get my ticket after I knew no one else was going with me, they must have released a new batch of tickets. I was in the center section, SECOND row! I have never even been in that section, let along up front! It was amazing!!! I always thought those seats were reserved for season ticket holders, rich people, etc. But I lucked out big time!

I can't claim to be a Pink Floyd or Roger Waters expert. I only came to be a real fan in the mid-80s. Before that it seems all I ever heard on the radio was "Money" and "Another Brick in the Wall". But once I heard "Comfortably Numb" I paid more attention. That song gave me goose bumps before I ever even knew what it was about. We were lucky enough to see Pink Floyd tour, (without Roger), when they came to Ames, IA & it was FANTASTIC! I went thinking I'd like some of the songs, but that the rest may be too much for me. I was wrong! The whole show was amazing! So this time I wanted to see what it would be like from Roger Water's perspective. And while David Gilmore has the soothing voice and amazing guiter skills, and they had the technical special effects, Roger Waters is the soul of the music. The songs seem to come from his heart & soul & you feel moved. The crowd obviously loved him! He seemed appreciative, walking across the stage saying "thank you" as he walked all the way across. He accepted a rose from a fan, and after holding it awhile, he carefully laid it on the table at the back of the stage where they sat & played cards (something I'd never seen at a concert before!) and picked up his guitar again. He seemed moved by the fan's enthusiasm.

My personal favourites were "Mother", "Wish You Were Here", & "Comfortably Numb", with much audience participation on songs like "Another Brick in the Wall", "Welcome to the Machine", and others. There were times couldn't hear what he said for all the applause, screaming, and whistling in the crowd. I am so glad I went!!! I had always thought of Roger as the dark, gloomy figure, so I'm glad I read the reviews of the Chicago show & gave him a chance myself. I'm not specifically a Pink Floyd vs. Roger Waters fan, or vice versa. I think they both have the magic. Roger is more intense while David is more soothing, but I highly recommend both if you ever get a chance to see them perform. I don't think anyone would regret it! After the last set, before the encore the crowd roared, pounding the backs of chairs to make more noise to bring them back. I love an enthusiastic crowd! Actually we were doing it again after the encore, until the stage hands came out to take the equipment down. I think the crowed liked the back drop of Sid Barrett too. Another special touch. I'd love to read other reviews from St. Louis, so come on people, write! I know you can do better than I did! But for anyone thinking about going to a show, but not sure yet, don't hesitate! It's worth it!


by Bill Lomprez

I went to the show on august 27 in st louis. I've read the other reviews and this one didnt sound anything like the others. It was really loud and there was a cool light show. He sounded really good. the powers that be kicked ass and ive never heard it before untill last night. It was pretty smoky there for an open air concert hehe. When I first saw the stage I thought where the hell are the band gonna be because there was so much stuff on stage. There was the equipment and there lighting stuff. I really think the guitar players gonna be going somwhere because he kicked all kinds of ass. Gilmour's better but he still was good. It seemed like there was a massive party in the parking lot before the show because everyone was drunk as hell.

The coolest thing was when we all sung wish you were here, comfortably numb, money, what go wants and shine on u crazy diamond. I think it was a pretty full show. At the end they left for about 4 minutes and the crowd went nuts there was cheering for about hour it seemed like but they came back out and played CN. Roger Waters said to us that this the connection he was looking for with the audience. This was that magic he wanted. I loved his show it was the greatest thing I have ever been to. Now all we need is a full blown pink floyd reunion tour or something. I would go to see him again if I had the chance. Oh and I think someone threw a rose up on stage and he picked it up and smelled it and started singing with it in his hand. There wasnt one song I didn't like, it was all great. Roger Waters Kicks Ass.


by Anneli Alers

I just want to say that the Roger Waters show on Friday was the best thing I've ever seen. He sounded a million times better than on the CDs. I was really impressed with all those pictures they were showing. I thought I was gonna pass out when they played "Wish You Were Here". It was so incredible.

"Shine on you crazy Diamond", Comfortably Numb", "Time", "Brick in the wall (part 2)", "Brain Damage"...and many more were absolutely hypnotizing. The ticket was worth well more than $19.


by Robert Lang

St. Louis, Missouri, Riverport amphitheater. Center stage row 31. Great seats for the visuals and sound. This is the kind of show that is best at mid way back.

I have been reading all the other reviews of the shows and I just wanted to write a short assessment. This show was very similar to the early days of pink floyd. Great sound and stage production that stayed true to the roots yet took advantage of todays technology. The set list and band was amazing and really pulled it off. I really liked the recent pink floyd stadium productions but there was something magical about this show also. Snowy, Andy and Darrell were great (not david gilmore) but they really pulled it off and put their signature spin on the arrangements. All I have to say is I am looking forward to seeing where this band is playing on the next leg of the tour and anyone who has ever been to a past or present pink floyd show should not miss this one.

Got one more very important thing to say. If you are young and dumb please wake up and smell the coffee and as (Richard Wright) indicated at the Atlanta show. (SIT DOWN and enjoy the show. There are people behind you that paid good money also) Next time I am going to the ushers!!


by Thomas F. Terbrock

Greetings from St.Louis,Missouri. The Rroger Waters concert at the Riverport Ampitheater on August 27,1999 was a magical evening of rock n roll thanks to the modern day poet Mr.Roger Waters playing almost three hours of music from the Pink Floyd days and some choice cuts from Rogers solo career. The stage and lighting as always was state of the art. Back to Roger, he is and always will be the heart of Pink Floyd. Nothing against the group that tours as Pink Floyd, but they couldn't hold a candle to Roger and his touring band. Rogers nine piece band ripped through every song with technical brilliance and a great time was had by all 20,000 who attended. It just so happened it was a full moon that night at the open air theatre, so by the end of the show we had flown to the dark side of a full moon. Song highlights from the show would have to be all of them, but specifically, during set one of the final two songs were "Wish You Were Here" going straight into "Shine On You Crazy Diamond" with both songs paying respect to Syd Barrett. In fact while the two songs were on, the big screen had old shots of Syd,this was a classy move by roger. Starting out set two were the first four songs from Dark Side of the Moon, Rogers solo materiel went over just as well as the old stuff. Once again it was a magical show and if anyone out there has a chance to see Roger by all means go. Finally,thank you to Mr.Roger Waters for making this screwed up world so much easier to handle with your words and music.


by Larry "Spike" Speichinger

The show's presentation, atmosphere, and evening in St. Louis MO. (at Riverport) was EXELLENT! Ranging from the Full Moon in the sky backdropping to the stage's moon backdrop, to the beautiful sounds of Roger's voice!

I had my reservations regarding where Roger Waters went within his music after "The Wall" and his bitter words in the break up of "Pink Floyd". I seen David Gilmore touring his first album after the break up, and subsequently the Pink Floyd production in the 90's and thoroughly enjoyed his talent within the lead guitar and jam sessions he provides.

What I did miss however, and I really realized it last night, is Roger Waters voice, and theatrical presentation. His tribute to Syd was outstanding (Shine On Your Crazy Diamond & Wish You Were Here), and obvious that it was expression with all of Roger's heart. The mystical sounds exposing the Dogs (Animals album) within us was something which I thought I missed and would never experience, but Roger proved me wrong.

Within many songs there would come a time which lead guitar notes were missed, and then you looked at the figure in the spot light was not David Gilmore. None the less Roger exposed other talented individuals with their own and unique flair to still rise to the beauty of the song.

I also realized what I've missed with some of Roger's solo music. So-much-so that I will be purchasing at least one of his CD's/Albums. Roger really did take his music in continuation of the true Pink Floyd of the 70's.

After the concert was over, my companion and best friend which exposed me to All of Pink Floyd's albums only had one real great comment regarding the distance which Waters & Gilmore has put between them.

"While we may never see the two of them up on stage together again, Their individualism provides more new music while giving us additional opportunities to see and listen to live Pink Floyd music!






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