by Dave Moore, August 28
Roger Water's was 'In the Flesh' on August 27th at the Riverport Ampitheatre here
in St. Louis, and he didn't disappoint. Everything
from the setlist, to the band, to Roger's vocals was excellent, exceeding any
expectations I had.
I won't run through every song, but a thought did occur to me. I wonder if Roger intentionally opened with 'In the Flesh' so he could poke at the rest of Floyd a bit with the line "Pink isn't well, he stayed back at the hotel, but they sent us along as a surrogate band." Just something to think about. Other highlights included a quasi-tribute to Syd Barrett, when his mug appeared on a screen during 'Wish You Were Here' and 'Shine on You Crazy Diamond,' and the crowd singing with all it had during 'Perfect Sense.' All the songs, from 'Powers That Be, What God Wants, Happiest Days of Our Lives, and the Dark Side' cuts were played faithfully and flawlessly. The encore of 'Comfortably Numb' brought the evening to a successful close. The only thing missing was perhaps 'One of These Days,' or maybe 'Take Up Thy Stethoscope and Walk.' Now wouldn't that have been interesting.
I have to say that there is no comparison between this show and Floyd's last tour. Roger seemed more into it, and instead of standing around, he got around and really connected with a audience, going so far as to accept a rose from a member of the crowd. If his goal was to recapture the feeling of the Floyd's early days, he passed with flying colors.
Well, after a summer of figuring out how I was going
to get halfway across the country for one of Roger's shows, I was pretty
wiped out when I found out he was going to be playing in St.Louis!
The beauty of it is that if he makes good on his promises, and does a West
Coast tour, he'll be in St.Louis again, and maybe with a new album! But
I digress...on with the review...
Having read about the pandemonium in Chicago, I got
my tickets the morning they went on sale. Apparentlly this wasn't really
needed, because the show only came very close to selling out. Every day
I had to look at the tickets, and say, "Wow, I'm X days away from actually
seeing Roger Waters." I couldn't really believe it, because I had become
convinced that Floyd would never tour again, and I'd never get the chance
to hear my favorite songs live.
In some musical circles it is said that
"progressive" rock was born, flourished, and died, in the 1970's. Its
death the result of having become fatally overweight. Pink Floyd
represented this best, its decade finale performances of "The Wall" in 1979 and
1980 were so big that they played only in New York and Los Angeles (in the
US). For a while it seemed that maybe Roger Waters hadn't heard that giant
balloons of pigs and schoolteachers weren't what concert goers may want: His
"Berlin Performance of "The Wall" was astronomically huge, and not well received
(critically, anyway).
Maybe Waters has learned something. Relying
on crack musicianship and a (by Floyd standards) barren stage show, Waters gave
a crowd pleasing performance at Riverport on Friday night. His song
selection, concentration on the music, attention to the crowd (in a most
un-Waters way), and the aforementioned musicianship, all produced a truly
memorable experience for both the casual Floyd listener and the hardcore Waters
fans.
Waters opened, appropriately enough, with "In the
Flesh", the opening track from "The Wall" (actually, he played the reprise, from
side 4, but it conveyed the same sense of birth). After moving through
more of side one, finishing with "Mother", Waters played what fans had never
heard live before; music from the "Final Cut". Though it was a medley,
consisting of parts of "Get Your Filth Hands Off My Desert" and "Southampton
Dock", it represented a historical first. This fact was apparently lost on
a segment of the crowd that took the opportunity to get more beer, piss, or chat
loudly about other things. It was sad that the crowd was so rude during
such a significant piece. (it might also be said at this juncture that the
crowd was quite talkative throughout the show).
The rest of the first set saw Waters take a step
aside as the band showed off its prowess. "Dogs" and "Shine On You Crazy
Diamond" allowed the crowd to become acquainted with guitarist extraordinaire
Andy Fairweather-Low, as well as seeing former Floyd collaborator Snowy White's
ability to translate Floyd material as the second lead.
The second set concentrated predominately on
Waters' solo material. A beautiful rendition of "Every Strangers Eyes" was
followed by a up-tempo version of "The Powers That Be" (the only song of the
night that strayed from the studio cut).
The audience, perhaps from its lack of familiarity
with the solo material, seemed unenthused at this point. It was, again,
the musicians that really got to the crowd here. During "Perfect Sense",
one of four songs from "Amused to Death" they played, singer P.P.Arnold revised
her solo from the album in stunning fashion.
The set closed with a stirring rendition
of "Brain Damage/Eclipse", then the band encored
with "Comfortably Numb". During "Comfortably Numb" Waters again seemed
almost forgotten about while the two lead Guitarists sizzle, trading licks above
the stage.
While Floyd purists may argue with Waters
aficionados about whether Waters should have concentrated on his solo work
versus playing "Money" or "Another Brick In The Wall pt. II", and some may not
have liked the showmanship of Andy Fairweather-Low, there can be no doubt that
Waters has discovered the fans again. His aloof, almost arrogant attitude
towards audiences is gone. He has warmed to the idea that he is a rock
star, for good or ill. And because of this "new found faith", progressive
rock has, at least momentarily, given birth to a smile.
I was hoping to read other reviews of the St. Louis
show, by people more qualified than me to tell about it! Where are the St.
Louis fans??? This is my first time at this & I don't even have a set
list, but will give it a try anyway.
The show was Friday night, August 27, 1999, at
Riverport in St. Louis. I didn't get my ticket until the day of the
concert, so I really lucked out! I waited to see who may want to go, but
in the end, I went alone. Their loss!!! I was shocked that I could
still get a decent seat at that late hour! When I called I was told the
best available seat was in row FF, but by the time I worked half a day, went
home for a while & got to Quincy to get my ticket after I knew no one else
was going with me, they must have released a new batch of tickets. I was
in the center section, SECOND row! I have never even been in that
section, let along up front! It was amazing!!! I always thought
those seats were reserved for season ticket holders, rich people, etc. But
I lucked out big time!
I can't claim to be a Pink Floyd or Roger Waters
expert. I only came to be a real fan in the mid-80s. Before that it
seems all I ever heard on the radio was "Money" and "Another Brick in the
Wall". But once I heard "Comfortably Numb" I paid more attention.
That song gave me goose bumps before I ever even knew what it was about.
We were lucky enough to see Pink Floyd tour, (without Roger), when they came to
Ames, IA & it was FANTASTIC! I went thinking I'd like some of the
songs, but that the rest may be too much for me. I was wrong! The
whole show was amazing! So this time I wanted to see what it would be like
from Roger Water's perspective. And while David Gilmore has the soothing
voice and amazing guiter skills, and they had the technical special effects,
Roger Waters is the soul of the music. The songs seem to come from his
heart & soul & you feel moved. The crowd obviously loved
him! He seemed appreciative, walking across the stage saying "thank you"
as he walked all the way across. He accepted a rose from a fan, and after
holding it awhile, he carefully laid it on the table at the back of the stage
where they sat & played cards (something I'd never seen at a concert
before!) and picked up his guitar again. He seemed moved by the fan's
enthusiasm.
My personal favourites were "Mother", "Wish You Were
Here", & "Comfortably Numb", with much audience participation on songs like
"Another Brick in the Wall", "Welcome to the Machine", and others. There
were times couldn't hear what he said for all the applause, screaming, and
whistling in the crowd. I am so glad I went!!! I had always thought
of Roger as the dark, gloomy figure, so I'm glad I read the reviews of the
Chicago show & gave him a chance myself. I'm not specifically
a Pink Floyd vs. Roger Waters fan, or vice versa. I think they both have
the magic. Roger is more intense while David is more soothing, but I
highly recommend both if you ever get a chance to see them perform. I
don't think anyone would regret it! After the last set, before the encore
the crowd roared, pounding the backs of chairs to make more noise to bring them
back. I love an enthusiastic crowd! Actually we were doing it again
after the encore, until the stage hands came out to take the equipment
down. I think the crowed liked the back drop of Sid Barrett too.
Another special touch. I'd love to read other reviews from St. Louis, so
come on people, write! I know you can do better than I did! But for
anyone thinking about going to a show, but not sure yet, don't hesitate!
It's worth it!
by Bill Lomprez
I went to the show on august 27 in st louis.
I've read the other reviews and this one didnt sound anything like the
others. It was really loud and there was a cool light show. He sounded
really good. the powers that be kicked ass and ive never heard it
before untill last night. It was pretty smoky there for an open air concert
hehe. When I first saw the stage I thought where the hell are the band gonna
be because there was so much stuff on stage. There was the equipment and there
lighting stuff. I really think the guitar players gonna be going somwhere
because he kicked all kinds of ass. Gilmour's better but he still was good. It
seemed like there was a massive party in the parking lot before the show
because everyone was drunk as hell.
The coolest thing was when we all sung
wish you were here, comfortably numb, money, what go wants and shine on u crazy
diamond. I think it was a pretty full show. At the end they left for about 4
minutes and the crowd went nuts there was cheering for about hour it seemed
like but they came back out and played CN. Roger Waters said to us that
this the connection he was looking for with the audience. This was that
magic he wanted. I loved his show it was the greatest thing I have ever
been to. Now all we need is a full blown pink floyd reunion tour or
something. I would go to see him again if I had the chance. Oh and I think
someone threw a rose up on stage and he picked it up and smelled it and
started singing with it in his hand. There wasnt one song I didn't like, it
was all great. Roger Waters Kicks Ass.
by Anneli Alers
I just want to say that the Roger Waters show on Friday was the best thing
I've ever seen. He sounded a million times better than on the CDs. I was
really impressed with all those pictures they were showing. I thought I was
gonna pass out when they played "Wish You Were Here". It was so incredible.
"Shine on you crazy Diamond", Comfortably Numb", "Time", "Brick in the
wall (part 2)", "Brain Damage"...and many more were absolutely hypnotizing.
The ticket was worth well more than $19.
by Robert Lang
St. Louis, Missouri, Riverport amphitheater. Center stage row 31. Great
seats for the visuals and sound. This is the kind of show that is best at
mid way back.
I have been reading all the other reviews of the shows and I just wanted to
write a short assessment. This show was very similar to the early days of
pink floyd. Great sound and stage production that stayed true to the roots
yet took advantage of todays technology. The set list and band was amazing
and really pulled it off. I really liked the recent pink floyd stadium
productions but there was something magical about this show also. Snowy,
Andy and Darrell were great (not david gilmore) but they really pulled it
off and put their signature spin on the arrangements. All I have to say is
I am looking forward to seeing where this band is playing on the next leg of
the tour and anyone who has ever been to a past or present pink floyd show
should not miss this one.
Got one more very important thing to say. If you are young and dumb please
wake up and smell the coffee and as (Richard Wright) indicated at the
Atlanta show. (SIT DOWN and enjoy the show. There are people behind you
that paid good money also) Next time I am going to the ushers!!
Greetings from St.Louis,Missouri. The Rroger
Waters concert at the Riverport Ampitheater on August 27,1999 was a magical evening of
rock n roll thanks to the modern day poet Mr.Roger Waters playing almost three
hours of music from the Pink Floyd days and some choice cuts from Rogers solo
career. The stage and lighting as always was state of the art. Back to Roger, he
is and always will be the heart of Pink Floyd. Nothing against the group that tours as
Pink Floyd, but they couldn't hold a candle to Roger and his touring band. Rogers
nine piece band ripped through every song with technical brilliance and a great
time was had by all 20,000 who attended. It just so happened it was a full moon
that night at the open air theatre, so by the end of the show we had flown to the dark
side of a full moon. Song highlights from the show would have to be all of
them, but specifically, during set one of the final two songs were "Wish You
Were Here" going straight into "Shine On You Crazy Diamond" with
both songs paying respect to Syd Barrett. In fact while the two songs were on, the
big screen had old shots of Syd,this was a classy move by roger. Starting out set
two were the first four songs from Dark Side of the Moon, Rogers solo materiel
went over just as well as the old stuff. Once again it was a magical show and if
anyone out there has a chance to see Roger by all means go. Finally,thank you to
Mr.Roger Waters for making this screwed up world so much easier to handle with
your words and music.
The show's presentation, atmosphere, and evening in St. Louis MO. (at
Riverport) was EXELLENT! Ranging from the Full Moon in the sky
backdropping to the stage's moon backdrop, to the beautiful sounds of
Roger's voice!
I had my reservations regarding where Roger Waters went within his music
after "The Wall" and his bitter words in the break up of "Pink Floyd". I
seen David Gilmore touring his first album after the break up, and
subsequently the Pink Floyd production in the 90's and thoroughly enjoyed
his talent within the lead guitar and jam sessions he provides.
What I did miss however, and I really realized it last night, is Roger
Waters voice, and theatrical presentation. His tribute to Syd was
outstanding (Shine On Your Crazy Diamond & Wish You Were Here), and obvious
that it was expression with all of Roger's heart. The mystical sounds
exposing the Dogs (Animals album) within us was something which I thought I
missed and would never experience, but Roger proved me wrong.
Within many songs there would come a time which lead guitar notes were
missed, and then you looked at the figure in the spot light was not David
Gilmore. None the less Roger exposed other talented individuals with their
own and unique flair to still rise to the beauty of the song.
I also realized what I've missed with some of Roger's solo music.
So-much-so that I will be purchasing at least one of his CD's/Albums.
Roger really did take his music in continuation of the true Pink Floyd of
the 70's.
After the concert was over, my companion and best friend which exposed me
to All of Pink Floyd's albums only had one real great comment regarding the
distance which Waters & Gilmore has put between them.
"While we may never see the two of them up on stage together again, Their
individualism provides more new music while giving us additional
opportunities to see and listen to live Pink Floyd music!
Anyway, the day of the show found myself, my two
best friends and my brother fighting our way through I-70 traffic to get
into Riverport Ampitheater by 8pm. A quick word on that: Riverport is my
absolute least favorite place in the world to see live music. It's completely
corporate (up to and including corporate sponsers; apparently Roger was
sponsered by Budweiser. I'm sure he wasn't increadibly pleased to hear about
that one) and has no sense of a "venue" of old. Also, the setup allows
very little stage setup, and whatever setup one manages is cheapened by
the awning. However, I managed to set all my grudges aside, and just enjoy
the show. Of course, they wouldn't let it go at that, but that comes a
little later in our tale.
We managed to get there with 5 minutes to spare,
stake out our place on the lawn, and get settled in just in time for the
opening bars of In the Flesh. I was blown away; it actually sounded like
Floyd! We all agreed that Roger's voice hadn't deteriorated nearly as much
as we thought it would. We had all pretty much expected him to speak most
of his lines, and leave the singing up to the fly girls, but that wasn't
the case at all. I could write a book about my favorite parts of the show,
but for the purpose of this review, I'll sum it up in a best of/ worst
of format. First, the best parts:
Now, on to the "bad" parts of the show
Those things aside, this was the greatest concert experience of my life,
and something I'll remember until the day I die. I went with a bunch of
Waters naysayers, but even they had to admit he hadn't lost his touch.
I just can't wait until I get the chance to see him again. He was, and
remains, one of my heroes, who I will never exchange for the "ghosts" currently
parading as Pink Floyd.

